An autobiographical documentary by two women travelling from Egypt to Germany, this film explores the experience of the female traveller as they focus on their own perspective of crossing places and spaces.

A Polish stewardess who has to spend the night in Copenhagen to board her next flight meets a Danish man who insists on taking her out. The night does not turn out quite like either of them had expected.

An elderly man takes in his orphaned niece after the death of his younger brother. On the way home, on the train, in communication with various people, the true traits of his character are revealed.

An enigmatic painter (Ehle) invites a young bartender to pose for her as a strange, confusing relationship develops that will change both women forever. Beautifully written by Sarrigeorgiou (who also stars) and gorgeously shot with painterly compositions, its crisp, visual flair is matched by the strength and depth of the performances. An elegant, subtle drama with a chilly edge, this is a restrained and emotionally intelligent exploration of selfish desires, hidden motivations and what it really takes to know yourself.

奥尔加正在返回巴西里约热内卢的家中。丹尼尔则正在前往墨西哥的途中。他们最终在一家机场24小时餐厅里消磨着登机前的时光。他们从未料到，与一个陌生人的这场随意交谈竟会永远改变他们的人生。

Based on true events, the film is the meeting of two people from diametricaly opposite cultures at a typical Los Angeles bus stop. The more they interact, they realize one common factor brought them together as their lives intersect in transit.

Roland and Jonas, two of the 500,000 would-be immigrants entering Europe illegally every year, try to find gainful employment to support their families in this Storyville travelogue.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

A series of bad choices, a less than desirable home life and a recent brush with the law have 19 year-old Riley desperate for a way out. With dreams of a better life, she heads to Hollywood where she comes to realize that the "grass isn't always greener". Disillusioned, she packs her bag and takes off once again. Will Riley find out what she's looking for or will she be just another statistic?

A look at the mystique of road movies, combining interviews, film clips, music, photography, literature and a narrative storyline featuring Paul Rudd and Tom McCarthy.